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generative theory of tonal music
A Generative Theory of Tonal Music (GTTM) is a theory of music〔Lerdahl, Fred/Jackendoff, Ray (1983): ''A Generative Theory of Tonal Music'', Cambridge, Mass.: MIT Press, p. 1.〕 conceived by American composer and music theorist Fred Lerdahl and American linguist Ray Jackendoff and presented in the 1983 book of the same title. It constitutes a "formal description of the musical intuitions of a listener who is experienced in a musical idiom"〔Lerdahl, Fred/Jackendoff, Ray (1983): ''A Generative Theory of Tonal Music'', Cambridge, Mass.: MIT Press, p. 1.〕 with the aim of illuminating the unique human capacity for musical understanding.〔Lerdahl, Fred and Ray Jackendoff (1983). ''A generative theory of tonal music''. Cambridge, MA: MIT Press.〕
The collaboration between Lerdahl and Jackendoff was inspired by Leonard Bernstein’s 1973 Charles Eliot Norton Lectures at Harvard University, wherein he called for researchers to uncover a musical grammar that could explain the human musical mind in a scientific manner comparable to Noam Chomsky’s revolutionary transformational or generative grammar.〔Chomsky, Noam (1957). ''Syntactic Structures''. The Hague: Mouton; Chomsky, Noam (1965). ''Aspects of the Theory of Syntax''. Cambridge, MA: MIT Press; Chomsky, Noam (1966). ''Topics in the Theory of Generative Grammar''. The Hague: Mouton.〕
Unlike the major methodologies of music analysis that preceded it, GTTM construes the mental procedures under which the listener constructs an unconscious understanding of music, and uses these tools to illuminate the structure of individual compositions. The theory has been influential, spurring further work by its authors and other researchers in the fields of music theory, music cognition and cognitive musicology.〔Jackendoff, Ray (1987). ''Consciousness and the Computational Mind''. Cambridge, MA: MIT Press; Temperley, David (2001). ''The Cognition of Basic Musical Structures''. Cambridge, MA: MIT Press; Lerdahl, Fred (2001). ''Tonal Pitch Space''. New York: Oxford University Press; Lerdahl, F., & R. Jackendoff (2006). The Capacity for Music: What Is It, and What's Special About It? ''Cognition'', 100.1, 33-72.〕
==The Theory==
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